Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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BOCCATI, Giovanni
Virgin and Child with Saints gfhf

ID: 05209

BOCCATI, Giovanni Virgin and Child with Saints  gfhf
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BOCCATI, Giovanni Virgin and Child with Saints  gfhf


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BOCCATI, Giovanni

Italian Painter, ca.1420-1487  Related Paintings of BOCCATI, Giovanni :. | Lion | sjalvporiratt | The Judgment of Cambyses | Offizier der Gardejager beim Angriff | Portrait of George IV as Grand Cross Knight of Hanoverian Guelphic Order |
Related Artists:
Nardo di Cione
Italian Byzantine Style Painter, active 1343-ca.1365 was an Italian painter, sculptor and architect from Florence. He was the brother of the more accomplished Andrea di Cione, called Orcagna, as well as Jacopo di Cione; they were important members of the Painter's Guild of Florence. While Orcagna has been noted as the more accomplished artist, Nardo developed his own unique style, described as a pronounced lyrical vein, a feeling for poetic values, strong human sympathies and great sensitivity to colour as a means of subtle differentiation and soft modeling. The brothers collaborated on a number of works from their studio together, including the decorations from the Cappella Strozzi in the Santa Maria Novella. While Orcagna painted the altarpiece, Nardo executed the frescoes of The Last Judgment, Paradise and Hell.
DIJCK, Floris Claesz van
Dutch Baroque Era Painter, 1575-1651
Luca Signorelli
Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.






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